{"id":257,"date":"2026-08-21T12:03:43","date_gmt":"2026-08-21T12:03:43","guid":{"rendered":"https:\/\/baharkilic.org\/?p=257"},"modified":"2026-08-21T13:32:53","modified_gmt":"2026-08-21T13:32:53","slug":"agora","status":"publish","type":"post","link":"https:\/\/baharkilic.org\/?p=257","title":{"rendered":"Agora"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"\/image.axd?picture=2011%2f4%2fAgora-DVD-Cover.jpg\" alt=\"\" width=\"292\" height=\"415\" \/><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small; font-family: verdana, geneva;\"><strong>Y&ouml;netmen:<\/strong> Alejandro Amen&aacute;bar (2009)<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small; font-family: verdana, geneva;\"><a href=\"http:\/\/www.imdb.com\/title\/tt1186830\/\">IMDB<\/a><\/span><\/p>\n<p><span style=\"font-family: verdana, geneva; font-size: small;\">&nbsp; &nbsp;<\/span><span style=\"font-family: verdana, geneva; font-size: small;\">Agora, M&Ouml; 370- 415 y\u0131llar\u0131 aras\u0131nda M\u0131s\u0131r&#8217;da ya\u015fam\u0131\u015f Yunan kad\u0131n filozof Hypatia&lsquo;n\u0131n ya\u015fam &ouml;yk&uuml;s&uuml; ekseninde, o d&ouml;nemde var olan dinsel &ccedil;at\u0131\u015fmalar\u0131 anlat\u0131yor. Roma \u0130mparatorlu\u011fu&#8217;nda paganizm etkinli\u011fini kaybetmekte, Hristiyanl\u0131k h\u0131zl\u0131 bir y&uuml;kseli\u015f ya\u015famaktad\u0131r. Bu dinsel &ccedil;at\u0131\u015fman\u0131n temelinde asl\u0131nda Roma&#8217;da y&uuml;zy\u0131llarca s&uuml;ren k&ouml;lelik sistemine kar\u015f\u0131 olan tepkinin de &ouml;nemli rol&uuml; var. Bu &ccedil;at\u0131\u015fman\u0131n ne yaz\u0131k ki bizi ve sonraki t&uuml;m nesilleri etkileyen taraf\u0131 ise, d&ouml;nemin en b&uuml;y&uuml;k k&uuml;t&uuml;phanesi olan \u0130skenderiye k&uuml;t&uuml;phanesinin hristiyanlar\u0131n eline ge&ccedil;erek ya\u011fmalanmas\u0131d\u0131r. &Ouml;yle ki insano\u011flunun bilimsel geli\u015fiminde dinin ne kadar tahrip edici bir etkisi oldu\u011funu g&ouml;stermesi a&ccedil;\u0131s\u0131ndan ger&ccedil;ekten &ouml;zel bir d&ouml;nem, ak\u0131c\u0131 ve b&uuml;y&uuml;k &ouml;l&ccedil;&uuml;de tarafs\u0131z \u015fekilde anlat\u0131lm\u0131\u015f. (Buradan sonras\u0131 spoiler i&ccedil;ermektedir.)<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva; font-size: small;\">&nbsp; &nbsp;Hypatia, \u0130skenderiye&rsquo;deki Neoplatonik okulun ba\u015f\u0131yd\u0131 ve burada felsefe ve astronomi e\u011fitimi veriyordu.&nbsp;Atina&#8217;da e\u011fitim g&ouml;rm&uuml;\u015f olan Hypatia, matematik&ccedil;i Theon Alexandricus&#8217;un k\u0131z\u0131yd\u0131.&nbsp;Alman matematik&ccedil;i ve astronom Johannes Kepler&#8217;in Gezegensel Hareket Yasalar\u0131&#8217;n\u0131 ondan y&uuml;zy\u0131llarca &ouml;nce anlayan ve a&ccedil;\u0131klamaya &ccedil;al\u0131\u015fan ki\u015fi olmu\u015f; fakat geri kafal\u0131 insan y\u0131\u011f\u0131nlar\u0131n\u0131n dinsel saplant\u0131lar\u0131 y&uuml;z&uuml;nden, &ccedil;al\u0131\u015fmalar\u0131n\u0131 insano\u011fluna sunmas\u0131na f\u0131rsat verilmeden cad\u0131 ilan edilerek &ouml;ld&uuml;r&uuml;lm&uuml;\u015ft&uuml;.<\/span>&nbsp;<\/p>\n<p><span style=\"font-family: verdana, geneva; font-size: small;\">&nbsp; &nbsp;Hypatia&#8217;n\u0131n hazin &ouml;yk&uuml;s&uuml;ne bak\u0131nca bug&uuml;n bile d&uuml;nyan\u0131n b&uuml;y&uuml;k bir b&ouml;l&uuml;m&uuml;nde ayn\u0131 yobazl\u0131\u011f\u0131n devam etti\u011fini g&ouml;rmek, insanl\u0131\u011f\u0131n gelece\u011fi ad\u0131na duydu\u011fum kayg\u0131lar\u0131 daha da artt\u0131rd\u0131.&nbsp;Bilim ile hurafelerin sava\u015f\u0131n\u0131 konu alan bir drama filmi bu, bu eksende izlenirse de seyircisine kataca\u011f\u0131 &ccedil;ok \u015fey oldu\u011funa inan\u0131yorum. &Ouml;zellikle kad\u0131na (bir sahnede Hypatia &ccedil;evresinde toplanm\u0131\u015f, kendisini dikkatle dinleyen erkek &ouml;\u011frencilerine astronomi ve matematik anlatmaktad\u0131r) ve bilime verilen de\u011ferin, Hristiyanl\u0131\u011f\u0131n gelmesiyle nas\u0131l tersine d&ouml;nd&uuml;\u011f&uuml;n&uuml; g&ouml;r&uuml;yoruz. Ancak bir di\u011fer ilgin&ccedil; nokta da, bu erkek &ouml;\u011frencilerinden en \u015fevkli olan &uuml;&ccedil;&uuml;n&uuml;n (Davus, Synesius ve Orestes)&nbsp;Hypatia&#8217;ya \u015fehvet duyma hatas\u0131na d&uuml;\u015fmesi; yine kad\u0131n\u0131n cinsiyet&ccedil;ili\u011fe maruz kald\u0131\u011f\u0131na \u015fahit oluyoruz burada da. Tabi filmdeki en ac\u0131kl\u0131 sahne, \u0130skenderiye K&uuml;t&uuml;phanesi&#8217;nin i&ccedil;indeki bilgi hazinesi kitaplarla birlikte yak\u0131lmas\u0131 ve sonras\u0131nda Hypatia&#8217;n\u0131n &ouml;ld&uuml;r&uuml;lmesi. Bu konuda Christopher Hitchens&#8217;a kat\u0131l\u0131yorum: <em>O korkun&ccedil; g&uuml;n, insanl\u0131k tarihindeki en &ouml;nemli d&uuml;\u015f&uuml;nsel gerilemelerden biri ya\u015fanm\u0131\u015ft\u0131r. <\/em>\u0130skenderiye K&uuml;t&uuml;phanesi ve i&ccedil;indekiler yan\u0131p k&uuml;le d&ouml;nm&uuml;\u015f olmasa kimbilir neler farkl\u0131 olurdu&#8230; D&uuml;\u015f&uuml;nsenize, ne bilgiler gitmi\u015ftir; o zamanlar internet ve hatta matbaa bile yok. Ne varsa o k&uuml;t&uuml;phanenin &ccedil;at\u0131s\u0131 alt\u0131nda korunuyor; tek n&uuml;sha olarak. O zaman i&ccedil;in d&uuml;nyan\u0131n en b&uuml;y&uuml;k ve zengin k&uuml;t&uuml;phanelerinden biri olan \u0130skenderiye K&uuml;t&uuml;phanesi ayakta kalsayd\u0131 ne bilgiler hayatta kal\u0131r, ne bulu\u015flar &ccedil;ok daha erken yap\u0131l\u0131r, ne hurafeler yery&uuml;z&uuml;nden silinirdi. Dinciler her zamanki gibi i\u015fini biliyormu\u015f, tam on ikiden vurmu\u015flar hedefi malesef.<\/span>&nbsp;<\/p>\n<p><span style=\"font-family: verdana, geneva; font-size: small;\">&nbsp; &nbsp;Sinematografik olarak da doyurucu bir film bu.&nbsp;Amenabar&#8217;\u0131n bug&uuml;ne kadar izleyip de be\u011fenmedi\u011fim filmi olmad\u0131 zaten. Rachel Weisz da ba\u015far\u0131l\u0131 bir oyunculuk &ccedil;\u0131kar\u0131yor.<\/span><span style=\"font-family: verdana, geneva; font-size: small;\">&nbsp;Elimizde Hypati&#8217;ya ait oldu\u011fundan emin oldu\u011fumuz, g&uuml;n&uuml;m&uuml;ze kadar korunmu\u015f az say\u0131da &ccedil;al\u0131\u015fma vard\u0131r. Ancak yaz\u0131l\u0131 eserlerinden ziyade s&ouml;zel olarak &ouml;\u011frencilerine aktarm\u0131\u015f oldu\u011fu fikirler, g&uuml;n&uuml;m&uuml;ze kadar s&uuml;regelmi\u015ftir; fikirleri yakam\u0131yorlar haliyle.<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-family: verdana, geneva; font-size: small;\">&mdash;Darth Vader &amp; felis agnosticus<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>\u015eunlar da ilginizi &ccedil;ekebilir:<\/h3>\n<ul>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\"><a href=\"\/post\/2012\/01\/08\/Dini_Kesfetmek_15_Bolum_Gecmiste_Bilimin_Baskilanisi\">Ge&ccedil;mi\u015fte bilimin bask\u0131lan\u0131\u015f\u0131<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\"><a href=\"\/post\/2015\/03\/11\/Kadinlar_Neden_Dindarliga_Daha_Yatkin\">Kad\u0131nlar neden dindarl\u0131\u011fa daha yatk\u0131nd\u0131r?<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\">Theo Van Gogh:&nbsp;<a href=\"\/post\/2011\/06\/03\/Theo-Van-Goghun-olumune-sebep-olan-Submission-(Teslimiyet)-filmi\">Submission<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\"><a href=\"\/post\/2011\/07\/06\/Tanrinin-Tarihi-A-History-of-God-(belgesel)\">Tanr\u0131&#8217;n\u0131n Tarihi<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\"><a href=\"\/post\/2011\/10\/23\/History-of-the-Devil-Seytanin-Tarihi\">\u015eeytan\u0131n Tarihi<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\">Teslime Nesrin: <a href=\"https:\/\/ucnoktaaforizma.wordpress.com\/soylesi\/tum-dinler-kadinlara-dusman-teslime-nesrin\/\" target=\"_blank\">T&uuml;m dinler kad\u0131nlara d&uuml;\u015fman<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\"><a href=\"\/post\/2012\/08\/21\/islamda-kadin-cocuk-zulum\">\u0130slam &uuml;lkelerinde k\u0131z &ccedil;ocuklar\u0131n\u0131n g&ouml;rd&uuml;\u011f&uuml; zul&uuml;m<\/a><\/span><\/li>\n<li><span style=\"font-family: verdana, geneva; font-size: small;\">Azam Kamguian,&nbsp;<a href=\"https:\/\/www.ateizmdernegi.org.tr\/blog\/2021\/01\/02\/dinin-cocuk-gelisimi-uzerindeki-etkisi\/\" target=\"_blank\">Dinin &ccedil;ocuk geli\u015fimi &uuml;zerindeki etkisi<\/a><\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Y&ouml;netmen: Alejandro Amen&aacute;bar (2009) IMDB &nbsp; &nbsp;Agora, M&Ouml; 370- 415 y\u0131llar\u0131 aras\u0131nda M\u0131s\u0131r&#8217;da ya\u015fam\u0131\u015f Yunan kad\u0131n filozof Hypatia&lsquo;n\u0131n ya\u015fam &ouml;yk&uuml;s&uuml; ekseninde, o d&ouml;nemde var olan dinsel &ccedil;at\u0131\u015fmalar\u0131 anlat\u0131yor. Roma \u0130mparatorlu\u011fu&#8217;nda paganizm etkinli\u011fini kaybetmekte, Hristiyanl\u0131k h\u0131zl\u0131 bir y&uuml;kseli\u015f ya\u015famaktad\u0131r. Bu dinsel &ccedil;at\u0131\u015fman\u0131n temelinde asl\u0131nda Roma&#8217;da y&uuml;zy\u0131llarca s&uuml;ren k&ouml;lelik sistemine kar\u015f\u0131 olan tepkinin de &ouml;nemli rol&uuml; var. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-257","post","type-post","status-publish","format-standard","hentry","category-sinema"],"_links":{"self":[{"href":"https:\/\/baharkilic.org\/index.php?rest_route=\/wp\/v2\/posts\/257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baharkilic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/baharkilic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/baharkilic.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baharkilic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=257"}],"version-history":[{"count":1,"href":"https:\/\/baharkilic.org\/index.php?rest_route=\/wp\/v2\/posts\/257\/revisions"}],"predecessor-version":[{"id":349,"href":"https:\/\/baharkilic.org\/index.php?rest_route=\/wp\/v2\/posts\/257\/revisions\/349"}],"wp:attachment":[{"href":"https:\/\/baharkilic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baharkilic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/baharkilic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}